Italy, Adriatic Sea – beach resorts and old bathing establishment.
Shots by me
Just besides the famous and well-equipped beach resorts of Romagna, there’s an area that was once a cheap public holiday destination for children. This kind of holiday was government-funded and children were sent here for 1 or 2 months a year, depending on the economic conditions of their families. Unofficially it was known as “colony”. I also spent a couple of summers here, when I was 7, maybe 8. I keep a few tolerable memories of me playing on the beach, a certain chaos, my small white cap with ties, the labels with my name on stitched in each piece of clothing, the smell of the soup at midday, the sand in the flip-flops…
Now, it’s mostly in disuse, but some establishments have been renovated and keep on living under a religious management.
The pencil tip slides softly, a few rapid marks produce
light and vivid figures. Still unfinished but ready to leave, they hustle, bow, wriggle, climb the thin air, leap over the canvas limit and flee.
Voiceless, shadowless and furious
I guess.
Whatever I say comes from these signs,
physiognomies which get larger and closer; they catch my hands, plumb my depths and tell me not to rack my brains about that absurd theme of the double, the being and non-being, the void and the fullness, who cares?
And yet,
I suspect these thin and flexible stripes – unpredictable like water – have found a shelter somewhere.
As if, they and a few other species had found anywhere near a decent habitat and learnt how to carry on in this unstable and exasperate era.
To impose order in this irrational world, I blanketed my artwork, but in the room
visitors kept turning around it, intrigued. Later, three collectors battled against each other to win whatever was concealed from view.
“There’s a lot of money around and hope for the future” the auction house owner was
This shadowy and labyrinthine town has swallowed the entire human consortium, I said.
It sounds like a chorus spinning around a unique emotional state. Voices and cries overfilling the streets, rolling down at dawn and returning upstream at twilight
with a load of bitterness, pain
and courage.
A few days after the new dock opening ceremony, a large ship entered and two girls got off.
I noticed them because I’ve been trafficking with numbers, mostly
strings of two units at a time that I combine, pile up or split in grids to contrast their power,
(with the automorphic numbers, I almost touched the abstraction)
Then, because I feel lonely in this life made of non-empty sets.
They looked good: wide eyes, open mouths, tiny bodies and a nicety at any cost that made it all so genuine and fresh. Of that day, that signed the apex of my communication skill to the human gender, I keep a photo. My nose is asymmetric. Look.
I never realized that.
I can’t stop thinking of it.
I’m a grown-up – even now -, bent on my numbers and framed by the artificial light, like a chorister in an orthodox church, a goldsmith in his father workshop or an alchemist, carefully stirring the Leonardo’s bistre.
My lovers have hung their clothes here and there. They swing spontaneously, nodding at me, dissenting at me, making fun of me, of my doggedly returning to these